[ The naga's lips draw themselves up into a satisfied little smirk. ]
I am a mangaka by trade at home. Ryslig lacks nearly everything I need to continue that line of work regularly. I took up painting and had to decide on which mediums were going to allow me the highest marks of achievement. I never enjoyed painting until I had nothing but painting.
You have to look at all of the things that have been taken away and put your eyes on the things you have now. I never would have gotten anywhere if I sat on the beach pissed at myself for ending up here, or if I had dealt with sleeping in hotels and getting kicked out because I had no money. [ He pauses and then cocks his head to the right and DOWN instead of pointing. ] When I lost these I needed to figure out how to move again.
Painting ended up being a skill I adapted to faster than learning how to walk without legs. I couldn't complain about not having anything from home because it became unimportant overnight. [ His jaw shifts in on itself. ] The vibrancy in these paintings portrays the lack of it in the eye of the grim, mundane populous.
[ If Karamatsu is looking at the end of that sentence, he will see that Rohan has turned the book around and splayed across the page is the bug-boy himself. Through his own observations, he put the wonder and admiration in his eyes on paper. The expression on the drawn Karamatsu's face is precisely that, but there IS the detection of something rather unnerved. The slightest twinge in the lines around his eyes or a pinch of tension seen in his shoulders. Nonetheless, he is portrayed looking around the room and up at invisible nothings on the 'walls' of the page. ]
It doesn't take long or much to get the point across.
no subject
I am a mangaka by trade at home. Ryslig lacks nearly everything I need to continue that line of work regularly. I took up painting and had to decide on which mediums were going to allow me the highest marks of achievement. I never enjoyed painting until I had nothing but painting.
You have to look at all of the things that have been taken away and put your eyes on the things you have now. I never would have gotten anywhere if I sat on the beach pissed at myself for ending up here, or if I had dealt with sleeping in hotels and getting kicked out because I had no money. [ He pauses and then cocks his head to the right and DOWN instead of pointing. ] When I lost these I needed to figure out how to move again.
Painting ended up being a skill I adapted to faster than learning how to walk without legs. I couldn't complain about not having anything from home because it became unimportant overnight. [ His jaw shifts in on itself. ] The vibrancy in these paintings portrays the lack of it in the eye of the grim, mundane populous.
[ If Karamatsu is looking at the end of that sentence, he will see that Rohan has turned the book around and splayed across the page is the bug-boy himself. Through his own observations, he put the wonder and admiration in his eyes on paper. The expression on the drawn Karamatsu's face is precisely that, but there IS the detection of something rather unnerved. The slightest twinge in the lines around his eyes or a pinch of tension seen in his shoulders. Nonetheless, he is portrayed looking around the room and up at invisible nothings on the 'walls' of the page. ]
It doesn't take long or much to get the point across.